The Last DJ

That is an Enhanced CD, which comprises each common audio tracks and multimedia laptop information. Tom Petty & The Heartbreakers: Tom Petty (vocals, guitar, ukelele, piano, bass); Scott Thurston (guitar, lap metal guitar, ukelele); Mike Campbell (guitar, bass); Benmont Tench (piano, organ, keyboards); Ron Blair (bass); Steve Ferrone (drums). Extra personnel contains: Lenny Castro (percussion); Lindsey Buckingham (background vocals). Producers: George Drakoulias, Tom Petty, Mike Campbell. Comprises an Enhanced CD which comprises common audio tracks and multimedia laptop information, in addition to a bonus DVD. Tom Petty & The Heartbreakers: Tom Petty (vocals, guitar, ukelele, piano, bass); Scott Thurston (guitar, lap metal guitar, ukelele); Mike Campbell (guitar, bass); Benmont Tench (piano, organ, keyboards); Ron Blair (bass); Steve Ferrone (drums). Extra personnel contains: Lenny Castro (percussion); Lindsey Buckingham (background vocals). Producers: George Drakoulias, Tom Petty, Mike Campbell. Cash and its corrupting results on rock music are the subject material on a lot of THE LAST DJ, the umpteenth Tom Petty & The Heartbreakers album for the reason that band’s eponymous 1976 debut. The singer is shocked–shocked!–to discover simply how insidious the inexperienced stuff’s results are on the music enterprise. On listening to this, a listener would possibly moderately surprise if Tom Petty has spent the final 30 years underneath a proverbial rock, however being a Tom Petty album, in fact, tunes and songcraft are past reproach and far could also be forgiven. Each songwriter and listeners discover themselves on extra acquainted floor with “When a Child Goes Dangerous,” in regards to the type of youngsters that make the headlines after felony misadventures with firearms and the like. The broad rock & roll panorama of “Blue Sunday” is classic Petty in its minimalist retelling of a short encounter on the highway. “Misplaced Kids” is a heartfelt prayer that develops into an prolonged guitar jam. In the end the plain, unvarnished pop of “You and Me” reveal