Something To Remember (180 Gram Vinyl)

SOMETHING TO REMEMBER is a set of Madonna’s ballads. It consists of two new songs, “You may See” and “One Extra Likelihood,” and two variations of “I Need You,” initially recorded for the Marvin Gaye tribute album INNER CITY BLUES, which was launched three weeks earlier. Personnel consists of: Madonna (vocals); Dean Parks (acoustic guitar); Michael Thompson (electrical guitar); Suzie Katayama (cello); David Foster, Jan Mullaney (keyboards); Simon Franglen (programming); Large Assault. Producers embody: Nellee Hooper, Madonna, Patrick Leonard, Babyface, David Foster. Engineers embody: David Reitzas. Recorded at Chartmaker Studios; Brooklyn Studios. Contains liner notes by Madonna. She will be able to dance and she will be able to jive, and more often than not that is why you purchase Madonna information. She’s our real-life dancing queen. So if shopping for an album marketed as her “Biggest Ballad Hits” strikes you as form of like shopping for acoustic Abba, you are most likely not alone. However ever since TRUE BLUE, Madonna has displayed a eager curiosity in pop orchestration and smoky, soulful singing. On the breakthrough “Reside To Inform,” she found the low finish of her vocal vary, whereas co-producer and co-writer Patrick Leonard constructed a psychedelic swell of keyboards, guitars and sound results round her. It was like nothing she had finished earlier than, dealing instantly with darkish secrets and techniques, foreshadowing an grownup pop sound that she’d stick by by all of the twists, turns and traits that adopted. SOMETHING TO REMEMBER collects such sluggish and mid-tempo tracks from the assorted nooks by which Madonna’s hidden them (although most have been singles, many had confirmed up in album kind solely on soundtracks), and reveals off the darkish chanteuse qualities that she has solely intermittently gotten credit score for. Discover the virtually Beatlesque harmonies and swooping strings of her 1994 hit “Take A Bow,” the dream-like really feel of the electrical piano on the wistful “This Used To Be My Playground,” or the epic really feel of “Oh Father,” which begins with a dance of classical